Austin Carder - Profile and Journalist Details
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Austin Carder
Verified
Editor-in-Chief, Caesura
Beats
Entertainment , Sports , Local News
Content
By Austin Carder| Caesura Verified “The great art of films does not consist in descriptive movement of face and body, but in the movements of thought and soul transmitted in a kind of intense isolation.”—Louise BrooksI’ve been making my way through the Criterion Channel’s “Directed by Hal Hartley” retrospective after Isabelle Huppert and Elina Löwensohn pulled me into Amateur (1994). So far The Unbelievable Truth (1989) and Simple Men (1992) have been the best films in the collection, but Henry Fool (1997) may be my favorite.
By Austin Carder| Design News Verified Industrial CT scanners use X-rays to reveal the inner workings of complex devices in three dimensions. With the help of Lumafield’s Neptune industrial CT scanner, we find that there’s more than meets the eye within these 5 small feats of engineering. Lumafield has developed the Neptune scanner and cloud-based software to be easy enough to use so that engineering teams can rely on them as front-line tools.
By Austin Carder| Caesura Verified “The great art of films does not consist in descriptive movement of face and body, but in the movements of thought and soul transmitted in a kind of intense isolation.”—Louise BrooksI’ve been making my way through the Criterion Channel’s “Directed by Hal Hartley” retrospective after Isabelle Huppert and Elina Löwensohn pulled me into Amateur (1994). So far The Unbelievable Truth (1989) and Simple Men (1992) have been the best films in the collection, but Henry Fool (1997) may be my favorite.
Company Info
Caesura
Caesura is an online and print publication, a modest project to collect the scattered fragments of art and criticism working to escape the aimlessness that plagues the present. What is necessary is a break, a pause, and some room to breathe. We are looking to publish visual art, poetry, prose, and music as well as criticism and commentary from artists and writers that recognize the task before us and the need for something new. We have no schemas or positive ideals to enshrine, nor do we endorse particular styles, techniques, or media. What we have to offer is a sense of history, of the dead-end of the present, and the disappointment of the past: "a total absence of illusion about the age and at the same time an unlimited commitment to it." What we ask is simply that art prove its right to exist.