Chase McMullen - Profile and Journalist Details
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Chase McMullen
Verified
Editor-in-Chief, Beats Per Minute
Atlanta
Beats
EducationWeather
Other
Content
By Chase McMullen Verified| Beats Per Minute Verified Jennie tapping Peggy Gou to careen through her playground isn’t something I knew I needed, but oh man, did I. Their linking is both a welcome surprise and a perfectly sensible match: both Korean queens that (typically sexist) terminally online wierdos feel the need to despise, the “but do you even know me?” energy of “Like Jennie” no doubt speaks to Gou as much as its author: “Haters, they don’t really like… / ’cause they could never, ever be…” could be a missile fired from either artist.
By Chase McMullen Verified| Beats Per Minute Verified Jennie tapping Peggy Gou to careen through her playground isn’t something I knew I needed, but oh man, did I. Their linking is both a welcome surprise and a perfectly sensible match: both Korean queens that (typically sexist) terminally online wierdos feel the need to despise, the “but do you even know me?” energy of “Like Jennie” no doubt speaks to Gou as much as its author: “Haters, they don’t really like… / ’cause they could never, ever be…” could be a missile fired from either artist.
Company Info
Beats Per Minute
The Film Stage is your spotlight on cinema: a leading resource for independent and international cinema, including extensive film festival coverage, reviews, features, interviews, and podcasts, as well as the most essential, up-to-date news and trailers. The Film Stage was created by editor-in-chief Jordan Raup and managing editor Daniel Mecca in the fall of 2008 at University of Buffalo. We have since expanded with a home base now in New York City, and a team of writers from around the globe, covering premier festivals such as Cannes, Berlin, Venice, TIFF, Sundance, NYFF, Locarno, SXSW, and beyond year-round. The Film Stage is an accredited publication on Rotten Tomatoes and Metacritic.
Buffalo, New York, United States
+1 347-770-0130
Founded: 2008