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Clinton Krute
Verified
Co-Deputy Editor, Film Comment Magazine
New York
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By Clinton Krute| Film Comment Magazine Verified This article appeared in the September 27, 2024 edition of The Film Comment Letter, our free weekly newsletter featuring original film criticism and writing. Sign up for the Letter here. The Brutalist (Brady Corbet, 2024)Grief and loss are both overpowering and elusive, impossible to examine directly but always present for the stricken, like a sunspot on the edge of one’s vision. We struggle to confront and describe it in detail, precisely because it is so daunting and so massive an obstacle.
By J. HOBERMAN, Michael Koresky, Clinton Krute, Ela Bittencourt Verified| Film Comment Magazine Verified From the March-April 2020 IssueAlso in this issueSubscribe to the magazineIf Heimat Is a Space in Time were a fiction film like A Hidden Life or Jojo Rabbit (to name two recent features glossing over the worst episode of Germany’s recent past), it would be an avant-garde masterpiece—a narrative interweaving multiple voices, including that of the state, eschewing transitions, and alternately doubling back on itself or jumping unexpectedly into the future.
By Clinton Krute| Film Comment Magazine Verified This article appeared in the September 27, 2024 edition of The Film Comment Letter, our free weekly newsletter featuring original film criticism and writing. Sign up for the Letter here. The Brutalist (Brady Corbet, 2024)Grief and loss are both overpowering and elusive, impossible to examine directly but always present for the stricken, like a sunspot on the edge of one’s vision. We struggle to confront and describe it in detail, precisely because it is so daunting and so massive an obstacle.
Company Info
Film Comment Magazine
Founded in 1962, Film Comment magazine features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.
New York, United States
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