David Sorfa - Profile and Journalist Details
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David Sorfa
Verified
Editor in Chief, Film-Philosophy
Edinburgh
Beats
extreme sports
Content
Countering the Disadvantage: Stasis as an Emancipatory Minimalist Legacy in Chantal Akerman's Cinema
By Charlotte Wynant, Proposal Guidelines, Garnet Creighton Butchart, David Sorfa Verified| euppublishing.com@ In November 1971, at the age of 21, Chantal Akerman left for New York. Shortly after moving there, she contacted Babette Mangolte, who would eventually become the cinematographer for a number of her films and immediately introduced her to artists and works from the Minimalist avant-garde (Bergstrom, 2019, pp. 31–32).
By Dominic Lash, Proposal Guidelines, David Martin-Jones, David Sorfa Verified| euppublishing.com@ “Film”, “philosophy”, and “poetry” are surely among the most contested words in the language. Each category has been interpreted so as to exclude or marginalise things that, in other interpretations, would be central instances. If digital cinema is a fundamentally new form, for example, then Yorgos Lanthimos’s The Favourite (2018) is something other than a film.
Countering the Disadvantage: Stasis as an Emancipatory Minimalist Legacy in Chantal Akerman's Cinema
By Charlotte Wynant, Proposal Guidelines, Garnet Creighton Butchart, David Sorfa Verified| euppublishing.com@ In November 1971, at the age of 21, Chantal Akerman left for New York. Shortly after moving there, she contacted Babette Mangolte, who would eventually become the cinematographer for a number of her films and immediately introduced her to artists and works from the Minimalist avant-garde (Bergstrom, 2019, pp. 31–32).
Company Info
Film-Philosophy
Edinburgh, Scotland, United Kingdom
+44 131 650 1000