Frank Falisi - Profile and Journalist Details
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Frank Falisi
Verified
Staff Writer, Bright Wall/Dark Room
Seattle
Beats
Song Reviews, And More, Artist Interviews , Music Premieres, EP , Album Reviews , Longform Music Features
Fashion and/or celebrity
Content
By Frank Falisi| Bright Wall/Dark Room Verified In Freehold, New Jersey, movies were the things that played at the local Loews. A multiplex childhood means memories by mass culture: the first movie I ever saw was The Lion King (1994). I remember its shapes most, behemoth blobs and lion-like impressions. The songs were louder than anything I’d ever heard. My first PG-13 movie was Small Soldiers (1998). I drank a caffeinated soda as big as my face and stayed awake all night. I thought I’d never sleep again.
By Frank Falisi| Bright Wall/Dark Room Verified A house, like a burial, starts with a hole. You dig until there’s room enough for the body that the earth will hold. And then you fill it up, variably with the living and the dead. The first onscreen death to occur in Here—Robert Zemeckis’s film adaptation of Richard McGuire’s graphic novel by the same name—happens less than three minutes into the runtime. Roughly 65 million years before the present day, a dinosaur pushes against the egg that encases it.
By Frank Falisi| Bright Wall/Dark Room Verified In Freehold, New Jersey, movies were the things that played at the local Loews. A multiplex childhood means memories by mass culture: the first movie I ever saw was The Lion King (1994). I remember its shapes most, behemoth blobs and lion-like impressions. The songs were louder than anything I’d ever heard. My first PG-13 movie was Small Soldiers (1998). I drank a caffeinated soda as big as my face and stayed awake all night. I thought I’d never sleep again.
Company Info
Bright Wall/Dark Room
A different lens on film: no hot takes, lots of long reads. Publishing monthly issues around a theme since 2013.
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