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Graham Fuller
Verified
Editor, The Arts Desk
London, New York
Beats
Biography
Graham Fuller Film and Television Editor, Culture Trip Member of the New York Film Critics Circle
Music
Content
By Graham Fuller Verified| The Arts Desk Verified Horror comes in many forms. In writer-director Jed Hart’s feature debut Restless, it’s visited on middle-aged nurse Nicky (Lyndsey Marshal) by thirtyish Deano (Aston McAuley), the superficially affable toxic male who moves in next door with two mates and holds raves in their living room, “all night and every night”. A single mother whose son has just left for university, Nicky is pressed by her boss to work extra shifts at the understaffed care home for the elderly that employs her.
By Graham Fuller Verified| The Arts Desk Verified Horror comes in many forms. In writer-director Jed Hart’s feature debut Restless, it’s visited on middle-aged nurse Nicky (Lyndsey Marshal) by thirtyish Deano (Aston McAuley), the superficially affable toxic male who moves in next door with two mates and holds raves in their living room, “all night and every night”. A single mother whose son has just left for university, Nicky is pressed by her boss to work extra shifts at the understaffed care home for the elderly that employs her.
By Graham Fuller Verified| The Arts Desk Verified “Be careful what you wish for, you might get it.” The Aesop-ian maxim roughly applies to Jérémie Pastor (Félix Kysyl) in Alain Guiraudie's Misericordia. Though unemployed Toulouse baker Jérémie doesn’t acquire the business that was run by his deceased mentor Jean-Pierre, the film’s ambiguous ending suggests he might still share it with the widow, Martine (Catherine Frot). Unless or until the gendarmes come calling.
Company Info
The Arts Desk
The Arts Desk is the UK's first professional arts journalism site, launched 9/9/09, with overnight reviews, in-depth interviews, news and constantly updated going-out calendar