James Cameron-Wilson - Profile and Journalist Details
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James Cameron-Wilson
Verified
Executive Editor, Film Review Daily
United Kingdom
Beats
Biography
James began reviewing for What's on in London in 1976. He has since reviewed for Sky TV, BBC radio, Talk Radio, the What's On Magazine Group, Film Review, The Times, The Sunday Times, Filmstar, Flicks, The London Paper, The Mirror, Photoplay, Ritz Newspaper, Shivers, Showbiz, TVTimes and more. He has published twenty-six books, including twenty editions of the Film Review annual, The Index, Young Hollywood, Hollywood: The New Generation, CinéStars, and The Cinema of Robert De Niro. He currently reviews the major new releases on Share Radio every Friday on The Business of Film, with Simon Rose firing the questions. James has been a member of the London Film Critics’ Circle since 1991 and has served as a board member of the Film Awards’ panel.
Film
beauty, bitcoin, sports
Content
By James Cameron-Wilson Verified| Film Review Daily@ It’s just a horror film. But it’s a good one. In fact, it’s the best example of its kind to hit the multiplex in aeons, from a director who knows how to play the genre, tweaking the tropes to delirious effect. Christopher Landon, who brought us Happy Death Day, Happy Death Day 2U, Freaky and We Have a Ghost, raises his own bar with a plot braided as densely as cable knitwear. It's a first date from hell, but not for reasons that either participant had anticipated.
By James Cameron-Wilson Verified| Film Review Daily@ There are no two ways around it, As government agents go, Charlie Heller is not exactly cut from heroic cloth. However, he knows his way around a computer like a strand of spyware. In fact, his surveillance skills lead him to waters that he’d rather not have breached. It transpires that his seniors at Langley have been directly responsible for an unsanctioned and devastating overseas drone strike.
By James Cameron-Wilson Verified| Film Review Daily@ It’s just a horror film. But it’s a good one. In fact, it’s the best example of its kind to hit the multiplex in aeons, from a director who knows how to play the genre, tweaking the tropes to delirious effect. Christopher Landon, who brought us Happy Death Day, Happy Death Day 2U, Freaky and We Have a Ghost, raises his own bar with a plot braided as densely as cable knitwear. It's a first date from hell, but not for reasons that either participant had anticipated.
Company Info
Film Review Daily