Leah Dickerman - Profile and Journalist Details
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Leah Dickerman
Verified
Director, Research Programs, MoMA Magazine
New York
Beats
The Entertainment Industry
Content
By Leah Dickerman| MoMA Magazine@ Last weekend in Richmond, Virginia—the former capital of the Confederacy, in what was the largest slave-holding state on the eve of the Civil War—crowds joined the mass protests that erupted across the country and beyond following the callous killings of George Floyd and others at the hands of police.
By Leah Dickerman| MoMA Magazine@ A panel from Gerhard Richter’s October 18, 1977 (1988) While we often celebrate the moment of an artist’s emergence on the scene with a brilliant new voice, The Long Run explores work made later in an artist’s career, the kinds of things that emerge after years of practice, of coming back again and again to the question of how to make a work that matters, and the summation of the powers of experience and wisdom.
By Leah Dickerman| MoMA Magazine@ Last weekend in Richmond, Virginia—the former capital of the Confederacy, in what was the largest slave-holding state on the eve of the Civil War—crowds joined the mass protests that erupted across the country and beyond following the callous killings of George Floyd and others at the hands of police.
Company Info
MoMA Magazine