Michael Sommers - Profile and Journalist Details

Find journalists that align with your industry, location and vision. Unlock Michael Sommers's full journalist profile, including location, coverage topics, current employer, biography and preferences. Sign up today and start building journalist relationships that fuel your startup's growth.

Get connected with journalists today
Michael Sommers

Michael Sommers

Verified

Writer, New York Stage Review

Final Covers

and transgender representation on scripted tv.Covers: LGBTQ+ female non binary

Journalist Type

-

Seniority Positions

-

Industries

-

Medium Formats

-

Content

Total articles 144

  • Glass. Kill. What If If Only. Imp: Caryl Churchill Vaudeville

    By Michael Sommers| New York Stage Review Verified Opening on Wednesday at the Public Theater, four brief, contrasting plays of circa 2020 vintage composed by the great British dramatist Caryl Churchill appear in their New York premieres. They are handsomely arranged in a program cleverly directed by James Macdonald, a longtime collaborator, under a banner naming their titles in order of performance: Glass. Kill. What If If Only. Imp.

    By Michael Sommers · New York Stage Review

    Apr. 16, 2025

  • minor.ity: Talking ident.ity, creativ.ity, authentic.ity, commun.ity

    By Michael Sommers| New York Stage Review Verified That dot in the title of minor.ity signals how francisca da silveira’s thoughtful comedy regards Black artists doing financially well for themselves by being, um, Black artists. Later they are revealed to be doing not so much in the way of art. Exploring the patronage side of an artist’s life and beyond, the play considers themes relating to Black identity and community. All that, plus it offers a satirical figure from Generation Z.

    By Michael Sommers · New York Stage Review

    Apr. 15, 2025

  • Glass. Kill. What If If Only. Imp: Caryl Churchill Vaudeville

    By Michael Sommers| New York Stage Review Verified Opening on Wednesday at the Public Theater, four brief, contrasting plays of circa 2020 vintage composed by the great British dramatist Caryl Churchill appear in their New York premieres. They are handsomely arranged in a program cleverly directed by James Macdonald, a longtime collaborator, under a banner naming their titles in order of performance: Glass. Kill. What If If Only. Imp.

    By Michael Sommers · New York Stage Review

    Apr. 16, 2025

As seen in

Company Info

New York Stage Review