Phil Coldiron - Profile and Journalist Details
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Writer, Film
New York
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Content
By Phil Coldiron| New York Review of Architecture@ The title of Keegan Monaghan’s fourth solo show at James Fuentes, IN, is both literal and allusive. On the former front, it describes how these nine works in oil on canvas—each a cropped view of a notched or gridded space, impossible to name (a shelf? a drain? a cornice?) though somehow decisively built in every case—beckon their viewer into vague, hidden interiors.
By Phil Coldiron| Notebook Verified Near the end of the second chapter of Dimitris Athiridis’s exergue - on documenta 14 (all works 2024), curator Adam Szymczyk has a beer with a journalist. Szymczyk, eloquent and handsome in a bookish way, serves as a compelling center for this fourteen-hour observational documentary on his tenure as the head of one of the central events in the contemporary art world; he’s somehow charming, despite an expression that always toes the line between bemused and smug.
By Phil Coldiron| New York Review of Architecture@ The title of Keegan Monaghan’s fourth solo show at James Fuentes, IN, is both literal and allusive. On the former front, it describes how these nine works in oil on canvas—each a cropped view of a notched or gridded space, impossible to name (a shelf? a drain? a cornice?) though somehow decisively built in every case—beckon their viewer into vague, hidden interiors.
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