Ruairi McCann - Profile and Journalist Details
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Ruairi McCann
Verified
Editor, Ultra Dogme
Belfast
Beats
film literature cultureArt
Content
By Ruairi McCann| Substack@ In the documentaries of Frederick Wiseman, genre is often the football to his Lucy, imbuing his work with a set of received notions which he then methodically dismantles and then builds on. In Meat (1976), for example, the opening shot of a man on a horse cresting a ridge, a dramatic image straight out of a Frederic Remington painting, swiftly and emphatically establishes the popular vision of the west as a mythic playground of rugged individualists. This is then stripped away.
By Ruairi McCann| Substack@ This site requires JavaScript to run correctly. Please turn on JavaScript or unblock scripts
By Ruairi McCann| Substack@ In the documentaries of Frederick Wiseman, genre is often the football to his Lucy, imbuing his work with a set of received notions which he then methodically dismantles and then builds on. In Meat (1976), for example, the opening shot of a man on a horse cresting a ridge, a dramatic image straight out of a Frederic Remington painting, swiftly and emphatically establishes the popular vision of the west as a mythic playground of rugged individualists. This is then stripped away.
Company Info
Ultra Dogme
Belfast, United Kingdom