Ryder Richards - Profile and Journalist Details
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Ryder Richards
Verified
Host, Let us THINK about it
Dallas
Beats
politics, culture environment,Business investigations, international sports humanitarian news, international affairs
fashion, technology, apps
Content
By Ryder Richards| Glasstire Verified pre sent tense, installation view at Galerie Frank Elbaz, 2020Any exhibit at the moment must do more than show up or show off. It needs to relate. Our human compulsion to connect has been distanced and distended, and by extension any art that can reach us must first acknowledge this state of tight drawn anxiousness: the stress of too much noise and too little movement, of too much fatalism and deferred agency.
By Ryder Richards| Glasstire Verified Installation view of Emmanuel Van der Auwera’s White Noise at 214 Projects, Dallas. I first encountered the work of Belgian artist Emmanuel Van der Auwera at the Dallas Art Fair in 2016 in Harlan Levey’s booth, where I’d enjoyed long discussions with Levy about the works of TR Ericsson and Marcin Dudek a year before. At the time, Levy presented two pieces from Van der Auwera’s respective Memento and VideoSculpture series.
By Ryder Richards| Glasstire Verified pre sent tense, installation view at Galerie Frank Elbaz, 2020Any exhibit at the moment must do more than show up or show off. It needs to relate. Our human compulsion to connect has been distanced and distended, and by extension any art that can reach us must first acknowledge this state of tight drawn anxiousness: the stress of too much noise and too little movement, of too much fatalism and deferred agency.
Company Info
Let us THINK about it
Fort Worth, Texas, United States