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Susan Saccoccia
Verified
Contributor, Art New England Magazine
Cambridge
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Content
By Susan Saccoccia| Bay State Banner Verified “Why let me go?” is a question no daughter should have to ask her mother. But young Nigerian Iniabasi Ekpeyong has arrived in the USA, where she was born, to reunite with her mother, Abasiama Ufot. After giving birth to Iniabasi 30 years ago, Abasiama let her then-husband return to Nigeria with their newborn. Mother and daughter meet in the New York City apartment of Adiaha, the oldest of the three children Abasiama has raised with her second husband, Disciple, also a Nigerian immigrant.
By Susan Saccoccia| Bay State Banner Verified When Richard Rodgers and Oscar Hammerstein II created “Carousel,” which Time magazine declared “the Best Musical of the 20th Century,” they adapted a bleak 1909 drama “Liliom” (tough guy) by Hungarian playwright Ferenc Molnár, who turned down Giacomo Puccini’s offer to transform it into an opera. But after seeing the first musical by Rodgers and Hammerstein, “Oklahoma!” he consented to their proposal of a musical.
By Susan Saccoccia| Bay State Banner Verified “Why let me go?” is a question no daughter should have to ask her mother. But young Nigerian Iniabasi Ekpeyong has arrived in the USA, where she was born, to reunite with her mother, Abasiama Ufot. After giving birth to Iniabasi 30 years ago, Abasiama let her then-husband return to Nigeria with their newborn. Mother and daughter meet in the New York City apartment of Adiaha, the oldest of the three children Abasiama has raised with her second husband, Disciple, also a Nigerian immigrant.
Company Info
Art New England Magazine