Tom Charity - Profile and Journalist Details

Find journalists that align with your industry, location and vision. Unlock Tom Charity's full journalist profile, including location, coverage topics, current employer, biography and preferences. Sign up today and start building journalist relationships that fuel your startup's growth.

Get connected with journalists today
Tom Charity

Tom Charity

Verified

Writer, Cinema Scope

Vancouver

Final Covers

Left Of Center Film, Music, Pop Culture, New York Specific Pieces

Doesn’t Cover

Politics, war

Seniority Positions

Medium Formats

Content

Total articles 35

  • Sleep #2 review: Radu Jude’s Andy Warhol gravecam

    By Pamela Hutchinson, Roger Luckhurst, Tom Charity| Sight & Sound Verified Reviewed from the 2024 Locarno Film FestivalAndy Warhol’s debut film Sleep (1963) captured his lover John Giorno slumbering for more than five hours. Now from Radu Jude comes Sleep #2, which is considerably shorter, but culled from a year’s worth of webcam footage of Warhol’s grave – here the subject also sleeps, according to a more finite, poetical definition. It’s a desktop film, as the digital artefacting and wandering watermark attest, but also an observational piece.

    By Pamela Hutchinson, Roger Luckhurst, Tom Charity · Sight & Sound

    Aug. 19, 2024

  • A Story of Bones review: unearthing colonial crimes

    By Chris Neilan, Roger Luckhurst, Tom Charity, Pamela Hutchinson| Sight & Sound Verified “It’s everyone’s responsibility, because we are all linked to this story.” Saint Helena, an isolated island a thousand miles from the coast of west Africa, a British colony since 1659 and Napoleon’s place of death, was for centuries accessible only by ship.

    By Chris Neilan, Roger Luckhurst, Tom Charity, Pamela Hutchinson · Sight & Sound

    Aug. 19, 2024

  • Alien: Romulus review: terrifying xenomorphic mayhem

    By Roger Luckhurst, Tom Charity, Pamela Hutchinson, John Bleasdale Verified| Sight & Sound Verified After the ponderous metaphysics of Prometheus (2012) and slightly too much robot flute-playing in Alien: Covenant (2016), the Alien franchise returns under the director Fede Álvarez, who sure-footedly revamped The Evil Dead (2013) and provided the thrills of Don’t Breathe (2016). Álvarez delivers a back-to-basics approach for Alien that is a standalone retelling of the primal plot of Scott’s original but full of echoes and call-backs to prior outings of xenomorphic mayhem.

    By Roger Luckhurst, Tom Charity, Pamela Hutchinson, John Bleasdale Verified · Sight & Sound

    Aug. 16, 2024

As seen in

Company Info

Cinema Scope

Official page of Imraul Rafat. Production House - Cinemascope.

Toronto, Ontario, Canada

'+1 416-889-5430

Founded: 2011