Tony Frankel - Profile and Journalist Details
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Tony Frankel
Verified
Editor-in-Chief, Stage and Cinema
California
Beats
Privacy , Security Technology , Internet Culture , Memes
Nothing is off limits. Boundaries don't go with wings.
Content
Concert Review: ALISA WEILERSTEIN, THOMAS LARCHER & SCHUMANN (NY Phil; Nikolaj Szeps-Znaider, conductor)
By Tony Frankel| Stage and Cinema@ A DREAM TURNS TO DARKNESS AND THEN INTO THE LIGHTAt 11 AM on April 4, the NY Phil matinee cracked open with a live wire performance in a world premiere that left me breathless, if not a little rattled. Alisa Weilerstein is, without exaggeration, the most ferocious, almost feral, cellist I’ve ever seen live. The way she attacks that cello? Pure, awe-inspiring savagery. No wonder Thomas Larcher penned returning into darkness just for her.
By Tony Frankel| Stage and Cinema@ I CAN’T CAVE ENOUGHIn 1917, Kentucky cave explorer Floyd Collins discovered Crystal Cave. Located in the same area as Mammoth Cave—the longest cave system known in the world—the site operated as a tourist attraction by his family. In 1925, while searching for a new entrance to the hundreds of miles of interconnected caves, Collins got his leg stuck in a narrow passageway 150 feet from the entrance.
Concert Review: ALISA WEILERSTEIN, THOMAS LARCHER & SCHUMANN (NY Phil; Nikolaj Szeps-Znaider, conductor)
By Tony Frankel| Stage and Cinema@ A DREAM TURNS TO DARKNESS AND THEN INTO THE LIGHTAt 11 AM on April 4, the NY Phil matinee cracked open with a live wire performance in a world premiere that left me breathless, if not a little rattled. Alisa Weilerstein is, without exaggeration, the most ferocious, almost feral, cellist I’ve ever seen live. The way she attacks that cello? Pure, awe-inspiring savagery. No wonder Thomas Larcher penned returning into darkness just for her.
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